Nell’ardore della nostra camera
In the delicate moment of transition between the 20th and 21st centuries, when taboos fall and Catholic culture begins to collapse under the weight of anachronism and hypocrisy, Sgorbani opens and photographs the contents of one of those "closets" which many prefer to keep tightly closed
Diario licenzioso di una cameriera
The show, in the theatrical adaptation by Gianni De Feo, highlights a female figure exploited by male power and by the rich society. The protagonist "Celestine" to obtain the satisfaction of her impulses and material needs, without any scruple, in an absolutely amoral way, uses the only weapon she possesses: the body and the power of seduction.
Carlos, L’ultima volta
“Carlos, l’ultima volta” is a work that developed starting from a theatrical short in the form of a monologue in 2016, extended in 2020 to two characters to then arrive at the current version which I consider the most exhaustive, both from the point of dramaturgical and staging view, thanks to those intermediate studies undertaken during the long journey of these years
Madre opened in January 2019 at the beautiful "Madre" Museum of Modern Art in Naples. It is a co-production between Ipazia Production Donnaregina Foundation for modern art. The original artistic video, created by the artist Francesca Fini, dialogues with the protagonist on stage, becoming a character, atmosphere and dramaturgical fragment, with exits and voices that refer to medieval theater.