
Occhio al cuore
by EMILIANO METALLI
directed MAURO TOSCANELLI & BRUNO PETROSINO
In the darkness of a cell, in a criminal asylum, a man and his apparitions try to reconstruct a forgotten past. Flashes of everyday life mix with memories, fantasies, lucubrations and nightmares. It is a timeless wait, punctuated by occasional yet habitual encounters with a prostitute, dreamer and innocent, by the accurate teachings of a butcher, greedy for harmonies, and by the litanies of a holy mother of Neapolitan origins, iconic and ironic at the time same.
An easy way out
Imagine the motivations of an apparently unmotivated murder
Detail after detail, the story unfolds and the presences change, definitively imprisoning the protagonist in a universe of horror and solitude.
Man and his journey. A crude and concrete language juxtaposed with Caravaggio-esque images, in which the extreme act suggested by Poe becomes a pretext, a symbol of personal fulfillment, of the dream of life, of liberation from what frightens us and blocks our flight.
Hell, Purgatory, and Paradise. Three paintings through which the colors, nightmares, vices, and virtues of humankind move. A mosaic where “entropy” does not necessarily rhyme with “madness.”
PhotoGallery


